Vividh Bharti Shows Daily Schedule

Vividh Bharti Shows Daily Schedule: Program Timings and Guide

Vividh Bharti Daily Schedule 2026: The Ultimate Radio Guide

Last Updated: February 2026

For over seven decades, Vividh Bharti has been the heartbeat of Indian airwaves. Even in 2026, as digital streaming dominates, the nostalgia of All India Radio (AIR) remains unmatched. Whether you are tuning in via 102.8 MHz FM, shortwave, or the Prasar Bharati NewsOnAir app, staying updated with the transmission timings is essential for every radio lover.

In this guide, we break down the daily 2026 broadcast cycle, ensuring you never miss the golden voice of your favorite announcers or the iconic "Jaimala" signature tune.

Official Vividh Bharti Program Timings (2026)

The following schedule is curated based on the latest 2026 transmission cycles for the Vividh Bharti National Service.

Time (IST)	Program Name	Content Category
06:00 AM	Vandana	Devotional and Spiritual Morning Music
07:30 AM	Sangeet Sarita	Classical Music Lessons and Film Raagas
08:00 AM	Bhule Bisre Geet	Golden Hits from 1940 - 1960
10:00 AM	Chitralok	Popular Film Songs (Themed)
01:00 PM	Sargam Ke Sitare	Artist Profiles and Interviews
03:00 PM	Sakhi Saheli	Interactive Women's Segment
04:00 PM	Pitaara	Hello Farmaish and Variety Shows
07:00 PM	Jaimala	Special Program for Indian Armed Forces
08:00 PM	Hawa Mahal	Radio Plays & Skits (Theater of Mind)
10:00 PM	Chhaya Geet	Melodic Late-Night Soft Tracks

Expert Listening Tip: How to Tune In Digitally

If you are experiencing weak signals on your traditional radio, you can now access the Vividh Bharti live stream in high definition via the NewsOnAir (Prasar Bharati) application. Additionally, most DTH services (like Tata Play or DD Free Dish) carry Vividh Bharti as a dedicated audio channel.

Why Vividh Bharti Remains Relevant in 2026

While Spotify and YouTube Music offer algorithms, Vividh Bharti offers human connection. The program "Ujaale Unki Yaadon Ke" provides historical context that no AI can replicate. In 2026, the station has also integrated social media requests, making it a hybrid of legacy broadcasting and modern interactivity.

"Radio is the most intimate medium. When you hear the Jaimala signature tune, you aren't just listening to music; you're connecting with millions of others across the subcontinent."

Way2SMS: The Free SMS Revolution of India

Way2SMS: The Free SMS Revolution That Defined Early Mobile India

Remember the days when sending an SMS felt like a luxury? Back in the mid-2000s, calling was expensive, and message packs vanished fast.

That's when Way2SMS burst onto the scene, letting millions send free texts online. For many of us in 2009–2010, it was a lifesaver—hitting up friends, sharing jokes, or just staying connected without watching the balance.

The Architect: Raju Vanapala

The man behind it was Raju Vanapala, a first-generation entrepreneur from Hyderabad. After finishing his MCA, he moved to the city in 2003 with big dreams. He started Way2Online Interactive in 2004 in a modest flat with a small team. Then, in December 2006, they launched Way2SMS—India's first major free web-to-mobile SMS portal.

The Clever "Mobitisement" Model

The model was clever and bold: Buy SMS in bulk from telecom operators at lower rates, offer them free to users, and slap a small ad (those cheeky 20-character "Mobitisements") at the end of every message.

"Raju even joked about praying for less traffic sometimes, because more users meant more losses! Costs for servers and bandwidth often outpaced earnings in the early years."

Things turned around in 2009. With massive pageviews, they leaned into Google AdSense. By May 2009, they hit cashflow positive; full profitability followed in 2010. User numbers soared—10 million by 2010, climbing higher later.

The Smartphone Wave & The Pivot

By 2011–2012, Way2SMS was at its height, but then came the smartphone wave. WhatsApp arrived, offering free messaging over data. SMS demand tanked industry-wide.

But Raju didn't give up. He pivoted to Way2News around 2015. Today, it's a leading hyperlocal vernacular news app, using AI to deliver bite-sized news to millions in Bharat.

The Legacy

Way2SMS may be a memory now, but it sparked free digital communication for millions—and evolved into something still very much alive in 2026. Nostalgia hits different when you realize how far we've come.

Hindi Songs Related to Mother or Maa or Mummy

Classic Hindi Mother Songs Cassette Collection

Maa: The Soul of Cassette Classics – Top Hindi Songs Dedicated to Mothers

In This Post:

• The Emotional Legacy of 'Maa' in Hindi Cinema
• Iconic Tracks featuring "Maa"
• Playful Melodies featuring "Mummy"
• Traditional Soul in "Maayi"
• FAQs for Music Collectors

The Emotional Legacy of 'Maa' in Hindi Cinema

In the golden age of magnetic tapes and T-Series cassettes, the "Mother Song" was a staple of every Bollywood drama. These songs weren't just background score; they were the heartbeat of the narrative. For the 90s kid, popping a cassette into a Walkman or a deck often meant hearing the soul-stirring lyrics of Anand Bakshi or Majrooh Sultanpuri. The word Maa, Mummy, or Maayi carried a weight that resonated with millions of listeners across the Indian subcontinent.

Iconic Tracks featuring "Maa"

1. Maa (Taare Zameen Par, 2007)

Perhaps the most poignant song of the 21st century's first decade. Sung by Shankar Mahadevan, this track captures the fear and loneliness of a child separated from his mother. Context: When Ishaan Awasthi is sent to boarding school, the lyrics "Main kabhi batlata nahi, par andhere se darta hoon main Maa" perfectly encapsulated the unspoken bond. On cassettes, this was the track that made listeners stop whatever they were doing.

2. Maa Tujhe Salaam (Vande Mataram, 1997)

A.R. Rahman redefined the concept of "Maa" by blending maternal love with patriotism. Context: Released during the 50th year of India's independence, the cassette for this album sold millions. While it refers to Mother India, the emotional plea "Maa tujhe salaam" became a universal anthem for all mothers.

3. Maine Maa Ko Dekha Hai (Mast, 1999)

A beautifully underrated song from Ram Gopal Varma’s Mast. Context: Sung by Sandeep Chowta, it portrays the mother as a divine entity. The repetition of "Maa" in the chorus makes it a rhythmic tribute that was very popular on late-90s FM radio and compilation tapes.

Playful Melodies featuring "Mummy"

4. Mummy O Mummy (Khatta Meetha, 1978)

Going back to the true cassette classic era, this song is a fun, lighthearted take on the term "Mummy." Context: It reflects the Parsi-Christian household vibe of the film. It's a reminder that mother-centric songs weren't always sad; they could be joyful celebrations of a mother’s quirky personality.

5. I Love You Mummy (Akele Hum Akele Tum, 1995)

A duet between a father and son (Aamir Khan and the child actor), calling out to the mother. Context: Sung by Udit Narayan and Aditya Narayan, this was a massive hit on "Kid's Special" cassettes. It used the English word "Mummy" to appeal to the urban, evolving Indian family of the mid-90s.

Traditional Soul in "Maayi"

6. Lukka Chuppi (Rang De Basanti, 2006)

While the word "Maa" is used, the traditional essence of "Maayi" is felt in the soul of the song. However, for a direct "Maayi" reference, we look at folk-infused classics. Context: This song features Lata Mangeshkar and A.R. Rahman. It’s a game of hide-and-seek between a mother and her son who has passed away. It is widely considered the peak of emotional songwriting in the 2000s.

7. Maayi Teri Chunariya (Traditional/Various Classics)

In many regional and folk-inspired Hindi films before 2010, the term "Maayi" was used to represent the soil or the rural mother. Context: Collectors of "Bhakti" and "Sanskriti" cassettes often sought tracks that used this term, as it felt more grounded and ancient than the modern "Mummy."

Frequently Asked Questions (FAQs)

Q1: Why are pre-2010 songs considered "Cassette Classics"?
A: By 2010, the industry shifted almost entirely to digital downloads and streaming. Songs released before this era were primarily consumed via physical media like cassettes and CDs, which had a distinct "warm" sound and tactile feel.

Q2: Which singer is most famous for Mother songs?
A: While many have sung them, Lata Mangeshkar and Mahendra Kapoor dominated the classic era, while Udit Narayan and Shankar Mahadevan defined the 90s and 2000s.

Hindi Songs related to Hair or Zulf or Baal or Gesu

"Zulfein": The dark clouds of romance in Indian Cinema.

In the poetic world of vintage Bollywood, a woman’s hair wasn't just a physical attribute; it was a weather system of its own. Lyricists used terms like Zulf, Gesu, and Kesh to describe everything from a cooling shade (Saaya) to a dark, stormy night (Kaali Ghata). For Cassette Classics, we’ve curated a list of authentic "hair-centric" masterpieces released before 2010 that define the era of soulful melody.

1. Teri Zulfon Se Judai To Nahi Maangi Thi (1961)

Film: Jab Pyar Kisise Hota Hai | Singer: Mohammed Rafi

This is a quintessential example of how Zulf (tresses) represented the sanctuary of love. In this song, the protagonist laments his separation from his beloved, equating the parting from her hair to a loss of peace. The hair acts as a metaphor for the shadow of protection and intimacy that the lover provides.

2. Yeh Reshmi Zulfein, Yeh Sharbati Aankhen (1969)

Film: Do Raaste | Singer: Mohammed Rafi

Perhaps the most famous "hair" song in history. Anand Bakshi’s lyrics use the word Reshmi (silken) to describe the texture of the hair. Picturized on Rajesh Khanna, this track set the gold standard for romantic flattery, where a woman’s tresses are seen as a beautiful trap from which no man desires to escape.

3. O Haseena Zulfonwali Jaane Jahan (1966)

Film: Teesri Manzil | Singers: Mohammed Rafi & Asha Bhosle

While many songs are slow ballads, this R.D. Burman masterpiece turned the "Zulfonwali" (the one with the beautiful hair) into a rock-and-roll icon. Here, the hair is part of the heroine's charismatic and energetic allure. It proves that hair wasn't just for quiet moments; it was for high-octane dance anthems too.

4. Zulfon Ko Rok Do (1964)

Film: Chandralekha | Singers: Asha Bhosle & Mohammed Rafi

In this era, loose hair was often compared to dark clouds. The lyrics "Zulfon ko rok do" (Restrain your hair) suggest that if the hair is left open, it might bring about a "storm" of passion or literally darken the day like rain clouds. It’s a classic trope where the beloved’s hair is considered a force of nature.

5. Bheegi Bheegi Zulfon Mein (1974)

Film: Joshila | Singer: Kishore Kumar

As we moved into the 70s, the imagery became more sensory. This track focuses on Bheegi (wet) tresses. Sahir Ludhianvi uses the wet hair of the heroine to create a lush, romantic atmosphere, emphasizing the fragrance and the droplets as a medium for attraction.

6. Tasveer Teri Dil Mein (1961)

Film: Maya | Singers: Mohammed Rafi & Lata Mangeshkar

This song contains the stunning line: "Zulfon ki ghataon mein, hum kho na kahin jaayen" (In the clouds of your hair, let me not get lost). This is the ultimate "Gesu" (long locks) imagery—the idea that a woman’s hair is a labyrinth or a thick forest of clouds where a lover happily loses his way.

7. Garajat Barsat Bheege Loongi (Kesh Imagery)

Film: Barsaat Ki Raat (1960) | Singers: Suman Kalyanpur & Kamal Barot

In classical-based compositions, the word Kesh (Sanskrit for hair) is preferred. In this monsoon masterpiece, the "wetting of the Kesh" ties the hair to the earthiness of the rain, using formal language to describe the beauty of a woman caught in a downpour.

Glossary of Terms Used in Lyrics

Term	Meaning	Lyric Sentiment
Zulf / Zulfein	Tresses	Wavy, spreading like clouds.
Gesu	Long Locks	Elegant, poetic, and deep.
Kesh	Hair (Sanskrit)	Earthbound, traditional, and pure.

These tracks were the "A-side" favorites on many a cassette. They evoke a time when a simple gesture, like a heroine tucking a strand of hair behind her ear, was enough to inspire an entire six-minute musical masterpiece.

Hindi Songs Related to the Moon or Chand

The moon: Bollywood's eternal muse.

The moon—or Chaand—has always been the ultimate muse for Bollywood lyricists. In the golden age of Indian cinema, the moon served as a messenger for lovers, a yardstick for beauty, and a silent witness to heartbreak. For Cassette Classics, we are diving into the archives to bring you a curated list of moon-themed masterpieces released before 2010.

1. Chaudhvin Ka Chand Ho (1960)

Film: Chaudhvin Ka Chand | Singer: Mohammed Rafi

This is arguably the most definitive "moon song" in Indian history. The title refers to the "Moon of the 14th night" (the full moon), considered the peak of lunar beauty. Shakeel Badayuni’s lyrics compare Waheeda Rehman's radiance to both the moon and the sun. It is a masterclass in Urdu poetry where the protagonist admits that even the celestial bodies fall short of his beloved's grace.

2. Khoya Khoya Chaand (1960)

Film: Kala Bazar | Singer: Mohammed Rafi

Picturized on Dev Anand, this song captures the "lost" and dreamy quality of a moonlit night. The phrase Khoya Khoya Chaand (The Lost Moon) mirrors the hero’s wandering mind. The iconic whistling and the cool, open-air midnight vibe make this a quintessential track for any cassette collection.

3. Ek Raat Mein Do Do Chaand Khile (1961)

Film: Barkha | Singers: Lata Mangeshkar & Mukesh

This rare gem explores a beautiful paradox: "Two moons rose in a single night." The lyrics explain that while one moon shines in the sky, the other (the beloved) is sitting right beside the protagonist. It is a classic example of the playful, innocent romanticism found in early 60s cinema, emphasizing how love makes the impossible seem real.

4. Yeh Chaand Sa Roshan Chehra (1964)

Film: Kashmir Ki Kali | Singer: Mohammed Rafi

Shammi Kapoor dancing on a shikara in Dal Lake while serenading Sharmila Tagore is a core memory for Bollywood fans. The metaphor is direct: "Chaand sa roshan chehra" (A face as bright as the moon). This high-energy track shifted the moon metaphor from quiet poetry to exuberant celebration.

5. Chand Ko Kya Maaloom (1965)

Film: Lal Bungalow | Singer: Mukesh

This song brings in the legendary Indian folkloric reference of the Chakor (a bird said to be obsessed with the moon). The lyrics, "Chand ko kya maaloom chahta hai use koi chakor," speak of unrequited or distant love. It beautifully captures the tragedy of a lover who admires someone from afar, just as the Chakor stares at a moon that remains oblivious to its devotion.

6. Chalo Dildar Chalo, Chand Ke Paar Chalo (1972)

Film: Pakeezah | Singers: Mohammed Rafi & Lata Mangeshkar

Pakeezah is known for its soulful, haunting music. In this track, the lovers express a desire to go "Chaand ke paar" (Beyond the moon). It represents the idea that their love is so immense that the known world is too small to contain it. It is an ethereal, travel-themed romantic ballad.

7. Chand Mera Dil, Chandni Ho Tum (1977)

Film: Hum Kisise Kum Naheen | Singer: Mohammed Rafi

As we moved into the late 70s, moon songs took on a "pop" sensibility. This song uses the inseparable nature of the moon (Chand) and its light (Chandni) to describe the bond between two lovers. If he is the moon, she is the very light that makes him visible.

8. Gali Mein Aaj Chaand Nikla (1998)

Film: Zakhm | Singer: Alka Yagnik

In this soulful late-90s classic, the "moon" represents a person who has returned after a long absence. The phrase "Gali mein aaj chaand nikla" is a poetic way of saying someone special has finally appeared. It is a song of relief and deep emotional resonance.

9. Chand Chupa Badal Mein (1999)

Film: Hum Dil De Chuke Sanam | Singers: Udit Narayan & Alka Yagnik

A 90s staple, this song plays on the traditional shyness associated with the moon. The lyrics suggest the moon is so intimidated by the heroine’s beauty that it hides behind the clouds. It captures the grand, festive romance of the millennium's end.

Quick Reference: Moon Classics at a Glance

Song Title	Film	Symbolism
Chaudhvin Ka Chand Ho	Chaudhvin Ka Chand	Perfection of Beauty
Ek Raat Mein Do Do Chaand	Barkha	Miraculous Presence
Chand Ko Kya Maaloom	Lal Bungalow	Silent Devotion (Chakor)
Gali Mein Aaj Chaand Nikla	Zakhm	Long-awaited Arrival

These songs are more than just lyrics; they are the heartbeat of the Cassette Era. Whether it was the scratching sound of a vinyl record or the soft hiss of a magnetic tape, these melodies made the moon feel just a little bit closer to home.

Hindi Songs Related to Evening Shaam and Saanjh

The word Saanjh (the poetic Hindi term for twilight) and Shaam carry a heavy weight in Bollywood lyricism, often representing waiting, longing, or the quiet beauty of a day coming to an end.

Here are the essential cassette classics before 2010 that celebrate the evening.

1. Shaam Dhale Khidki Tale – Albela (1951)

The "Shaam" Connection: “Shaam dhale khidki tale, tum seeti bajana chhod do...” We begin with a track that defined the "Golden Era." Composed by C. Ramchandra and sung by him alongside Lata Mangeshkar, this song is the epitome of vintage charm.

Context: It’s a playful, rhythmic banter where the heroine asks her lover to stop whistling under her window as evening falls. For your blog, this is a quintessential "Cassette Classic" because its bouncy rhythm (heavily influenced by Latin American beats) sounds incredibly warm on an old analog tape.

2. Saanjh Dhale Gagan Tale – Utsav (1984)

The "Saanjh" Connection: “Saanjh dhale gagan tale, hum kitne ekaki...” If you want to talk about the word Saanjh, this is the gold standard. Sung by Suresh Wadkar with music by Laxmikant-Pyarelal.

Context: This song is deeply atmospheric and somewhat haunting. It speaks of the loneliness that creeps in as the sun sets. The use of traditional instruments makes it a favorite for audiophiles who collect "Master Digital" or "High-Fidelity" cassettes from the 80s. It captures the stillness of twilight perfectly.

3. Roz Shaam Aati Thi – Imtihaan (1974)

The "Shaam" Connection: “Roz shaam aati thi par aisi toh na thi...” Lata Mangeshkar’s voice in this Majrooh Sultanpuri lyric is pure magic.

Context: The song describes how the evening used to arrive every day, but it never felt quite like this before—implying that love has changed the protagonist's perception of time. It’s a soulful, slow-burn track that perfectly suits the "Chitrahaar" nostalgia of the 70s and 80s.

4. Shaam Se Aankh Mein Nami Si Hai – Marasim (1999)

The "Shaam" Connection: “Shaam se aankh mein nami si hai, aaj phir aapki kami si hai...” Technically from a non-film ghazal album (though Jagjit Singh’s ghazals are cinematic in their own right), this is a staple for any serious cassette collector.

Context: Written by Gulzar, this song uses "Shaam" to represent the onset of sadness and memory. The "dampness in the eyes" since evening is a powerful metaphor for missing someone. Listening to Jagjit Singh’s bass-heavy voice on a magnetic tape provides a depth that digital files often struggle to replicate.

5. Woh Shaam Kuch Ajeeb Thi – Khamoshi (1969)

The "Shaam" Connection: “Woh shaam kuch ajeeb thi, yeh shaam bhi ajeeb hai...” Kishore Kumar at his soulful best, under the direction of Hemant Kumar.

Context: This song is a bridge between the past and the present. It’s picturized on Rajesh Khanna on a boat in the Hooghly river during twilight. The lyrics dwell on the "strangeness" of the evening—how some evenings stay with you forever. It’s a philosophical masterpiece that belongs in every "Sentimental Hits" cassette compilation.

6. Aaye Ho Meri Zindagi Mein (Female/Sad Version) – Raja Hindustani (1996)

The "Shaam" Connection: “Saanjh savere tujhe dhoondhe meri nazrein...” While the upbeat version was a chartbuster, the slower versions often highlighted the "Saanjh savere" (Evening and Morning) longing.

Context: This represents the 90s era of Nadeem-Shravan, where the lyrics were simple but hit the heart. The mention of searching for a loved one from dusk till dawn was a common trope that resonated deeply with the masses.

Hindi Songs Related to Snow and Winter

In the golden age of Bollywood, winter wasn’t just a season; it was a character. Whether it was the snowy slopes of Shimla or the misty valleys of Kashmir, songwriters used words like Barf (snow) and Sardi (cold/winter) to contrast the freezing weather with the warmth of romance.

Here is a curated list of "Cassette Classics" (pre-2010) that perfectly capture the essence of snow and winter for your blog.

1. Maine Dekha Hai – Waqt (1965)

The "Barf" Connection: “Aaj dene laga kadmon ke taley barf ka farsh...” This Sahir Ludhianvi masterpiece is perhaps the most poetic use of the word barf in Indian cinema. Sung by Mahendra Kapoor and Asha Bhosle, the song is picturized on Sunil Dutt and Sadhana.

Context: The lyrics describe a magical moment where the earth feels like a "floor of snow" (barf ka farsh). It beautifully explores the paradox of how the "warmth of love" (mohabbat ki garmi) makes even the freezing Himalayan snow feel comfortable. For a cassette collector, the Ravi-composed soundtrack of Waqt is a must-have for its orchestral richness.

2. Mujhko Thand Lag Rahi Hai – Main Sundar Hoon (1971)

The "Sardi" Connection: “Mujhko thand lag rahi hai, mujhse door tu na ja...” If you are looking for a song that captures the literal "shiver" of winter, this is it. Sung by the legendary duo Kishore Kumar and Lata Mangeshkar, this track features Biswajit and Babita.

Context: Set against a chilly backdrop, the protagonist uses the excuse of the biting cold (thand/sardi) to stay close to his beloved. It’s a playful, flirtatious number that was a staple on "Winter Special" radio slots and side-B of romantic compilation cassettes in the 80s.

3. Chaahe Koi Mujhe Junglee Kahe – Junglee (1961)

The "Barf" Connection: Iconic visuals of rolling in the snow. While the word barf isn't the primary hook in the chorus, the entire song is synonymous with "Yahoo!" and the white snowdrifts of Kashmir.

Context: Shammi Kapoor, the "Rebel Star," redefined the winter romance genre here. Shot in the thick snow of Kashmir, the song captures the wild energy of a man in love who doesn't care about the freezing temperatures. On a cassette, the high-pitched "Yahoo!" by Mohammed Rafi remains a test for any good speaker system.

4. Yeh Haseen Wadiyan – Roja (1992)

The "Sardi/Barf" Connection: “Sardi ki thandak hai, kisi ka intezar hai...” Moving into the 90s, A.R. Rahman’s debut in Roja gave us this atmospheric gem. Sung by S.P. Balasubrahmanyam and Chithra, the song feels like a cold breeze.

Context: Set in the snow-capped peaks of Manali (doubling for Kashmir), the lyrics talk about the "chill of winter" (sardi ki thandak). It’s a hauntingly beautiful melody that sounds incredibly deep on a high-quality chrome cassette. The song captures the stillness of a snowy landscape like no other.

5. Zara Sa Jhoom Loon Main – Dilwale Dulhania Le Jayenge (1995)

The "Sardi" Connection: “Thand bohot hai... sardi lag jayegi...” The dialogue and lyrics of this song from the biggest blockbuster of the 90s are etched in every fan's memory.

Context: During the Europe trip sequence, a tipsy Kajol dances in the snow while Shah Rukh Khan tries to protect her from the cold. The banter about "Sardi" (winter/cold) adds to the playful tension. The Jatin-Lalit composition was a massive hit on the HMV cassette release of the film.

6. Mere Haath Mein – Fanaa (2006)

The "Barf" Connection: “Barf giri hai kahin, par garmi hai yahan...” (Visual and metaphorical) Though the word barf appears more in the visual poetry of the film, the song itself is the ultimate winter anthem of the mid-2000s.

Context: Aamir Khan and Kajol are seen amidst falling snow in the mountains. The song talks about finding a world within each other while the world outside is frozen. It was one of the last major hits to have a significant presence in the waning years of the cassette industry before CDs fully took over.